Showing posts with label URBAN. Show all posts
Showing posts with label URBAN. Show all posts
ATELIER OLSCHINSKY: OUTPOST
Some truly epic abstract landscapes of a futuristic world – that's my take on these pieces by Viennese studio Atelier Olschinsky anyway. I posted some of Atelier's work a while back and it's amazing to see how much their style has developed. The detail is incredible. See more of their work here.
Labels:
ABSTRACT,
CITYSCAPE,
ILLUSTRATION,
SCI FI,
URBAN
DORUK KUMKUMOGLU: STRUCTURES
A couple of really nice shots here by Doruk Kumkumoglu, I love abstract they are – yet I'm able to depict what's in each image. Very nice style. Check more of Doruk's work here.
Labels:
ABSTRACT,
PHOTOGRAPHY,
URBAN
LMD WORK: EURO PHOTOGRAPHY

I thought it was about time that I posted some of my own work. This is something I'm going to try and do more often, but I've been thinking that since the beginning. This time for reals! These HDR shots were taken on a recent trip to Europe. The top shot is a sneaky little alleyway in Glasgow – after some great Indian curry, the middle shot I took in Lyon, France after to some cycle-exploring (and paying ridiculous amounts of money for the bikes due to language barriers) and the third shot is Hamburg Harbour in Germany. This was during a huge harbour festival, there was a great atmosphere. Hamburg is a wonderful city. I'm really enjoying taking HDR shots on sunset. I find the trick is to take the photo while slightly facing toward the sun. You get all sorts of crazy reflections and beams that normal photography can't handle (at least not in my incapable hands anyway). I've recently posted a few more shots on my behance profile check them out and give them an appreciation if you dig them.
Labels:
CITYSCAPE,
HDR,
LMD WORK,
PHOTOGRAPHY,
URBAN
ALEXANDER KADOW: FRIEDRICHSHAIN, BERLIN
I love this shot by Alexander Kadow. The textures in the concrete wall and the unusual, abstract markings/art give this photo a surreal feel. I feel like there is more to this photo than what you see. I think black and white was a great choice in execution. Check out more of Alexander's work now.
Labels:
GRAFFITI,
PHOTOGRAPHY,
URBAN
LMD WORK: BAUHAUS MUSEUM BERLIN
I've just come back from a weekend in Berlin. I pretty much needed monday to recover and get me back on track. Berlin is a crazy town that seems to speed up (not slow down) as late night becomes early morning. The day I took this shot was a sight seeing day, I was in a semi-state of delirium after not much sleep from the night before. We saw some historical delights before making our way to the Bauhaus museum. When we arrived, we were presented with what can only be described as an oasis of deck chairs strategically position in the sun (is it normal to have outdoor deck chairs in the sun at museums in Germany?). After seating myself in the warm sun and sipping a beer I took this photo then fell into a wonderful sleep (or nap). Afterwards the Bauhaus museum, although short was definitely worth a look.
Labels:
HDR,
LMD WORK,
PHOTOGRAPHY,
URBAN
BRENDAN FITZPATRICK: SHANGHAI AT NIGHT
I find the urban landscape quite fascinating and great to photograph. It's sometimes difficult to reproduce via photography and I find I can be quite fussy to find the ideal shot. Something I'm missing while I'm living in Germany is my tripod, which would allow me to take shots at night (I haven't given up on the idea though...). I think the city has much more depth at night. As the sun goes down it metamorphoses into a different world. Colour disappears into shadow, objects become silhouettes, and lights bring new colour, light and life into lively areas. Brendan Fitzpatrick has photographed some amazing urban landscapes at night and executed them perfectly. Despite capturing mostly large concrete slabs and there being a minimal, if not absent human presence the essence and life of the city is clearly felt.
See the whole series here and Brendan's website here.
Labels:
BRIDGE,
CITYSCAPE,
NIGHT,
PHOTOGRAPHY,
URBAN
MARCO MISHEFF: VERTICAL LANDSCAPE
I found this image by Marco Misheff to be quite haunting and a little surreal – not sure why, although the texture and lighting help to create a unique atmosphere. It almost feels like an apocalyptic setting, or even post apocalyptic given the overall darkness with the exception of the vibrant red streaks glowing from the darkness. Dull shapes sometimes becoming silhouettes of the crane and building look lifeless, uninhabited and eerie – like something from 28 days later. On a final point I love how the image is partially blurred and partially sharp, the blurriness possibly censoring or hiding something vital from the viewer. Overall a fantastically moody piece. See Marco's folio here and website here.
JASCHA HOSTE: URBAN EXPLORATION
I stumbled across Jascha Hoste's stock exchange profile the other day and was completely blown away! His work features some of the most amazing urban ruins/old forgotten buildings/unusual eastern euro factories you will find on the net. And it's all (if not mostly) in delicious – not over the top – HDR. I was fortunate enough to explore an abandoned mental asylum about a year ago. It's an incredible feeling walk through a forgotten building. At the time I couldn't help but think that at some point in the past it was much different, I even found myself trying to imagine what it was like. It was an amazing experience – which leaves me feeling a little jealous of Jascha, who has obviously had many more urban adventures than I. Check out his site here.
Labels:
CITYSCAPE,
PHOTOGRAPHY,
URBAN
BRAD SCHWEDE: GRAFFITI TECHNICA REEL 2010
Graffiti Technica reel from Graffiti Technica on Vimeo.
I thought I'd share another fine example of where the 3D world meets the graffiti world. This showreel piece by Brad Schwede takes the idea of converting graffiti into 3D a step further than what I've already seen by adding some motion. While I'd be surprised if no one else has done this already I also find it surprising that I'm not seeing a lot more of it – because it works so well. Most large pieces of graffiti are stylised in such a way that they already speak of movement and energy. It seems natural for this style of art to be converted into a motion piece.
I love surreal graffiti art becomes once it's made into a 3D object and placed into an environment. There's an odd duality going on where it feels quite alien disconnected from its surroundings, but at the same time it's something that is so familiar due to its presence as a 2D artform in the urban environment. Check out more of Brad's work here.
ISAAC BIDWELL: BIJIN-GA
I came across these pieces by Isaac Bidwell on behance. He's got a lot of work on his behance profile but these pieces I liked the most. They are part of a series which I recommend checking out. I think what I really like like about Isaac's style is that he is able to produce by hand what many artists fail to achieve using computers. His artwork is distinctly comic book styled but from what I could gather it's all done by hand (at least the work of his that I've seen anyway). I see a lot of artists try to replicate this style of art (sometimes, admittedly myself included) with the aide of computers and they fail – there are those that create beautiful digital artwork in this style too, but to see an artist reach these heights with his/her hands is awesome. The unique and organic appearance of hand-drawn art is nearly impossible to replicate digitally and Isaac's style and choice of subject matter project his work further into awesomeness. Nice one Isaac! Check out his website here.
JOCHEN PACH: KLEINKARIERT
I posted on an awesome series of bridge shots by Jochen Pach a few days ago and today found these amazing shots also taken by him. I was initially fooled into thinking they weren't even photos. He has managed to capture the beauty of the urban world in a unique way. See the the whole series here and his website here. I look forward to seeing more work from Jochen!
Labels:
CITYSCAPE,
PHOTOGRAPHY,
URBAN
JOVAN MILOVIC: ISOMETRICS
Jovan Milovic has posted a series of truly epic tech/sc-fi illustrations. The detail and sense of energy is outstanding. I really like how the forms are quite abstract yet hint at familiar urban forms such as buildings, cities or trains. I can't help but think of my recent trip to Tokyo when looking at Jovan's work here. On his behance page Jovan states that he draws some of his inspiration from futuristic films such as Blade Runner and Aliens. I can see plenty from both films here plus many others in the same genre. He used Illustrator to construct the pieces, creating the specific objects within each individually before assembling them into their final composition (sounds uber fun) with each piece taking between 6–10 hours. Check out the whole series here and his tumblr page here.
Labels:
ABSTRACT,
ILLUSTRATION,
URBAN
JOCHEN PACH: AUTOBAHN
My love of bridges continues with this incredible set by Jonchen Pach of Germany, titled Autobahn. The autobahn was constructed in Germany to unify the country, create employment and help to improve economy. It has been been used in a propaganda as a symbol of strength and solidarity, and today is the second largest freeway system in the world. Jochen's capture of the heavy geometric shapes and strong contrasting light and shadow in this series almost feels like a piece of propaganda itself! I think he's perfectly captured this bridge and in doing so has maintained the notion of the autobahn as a symbol of strength and development. Check out Jochen's website here.
Labels:
BRIDGE,
PHOTOGRAPHY,
URBAN
AGELKOS PHOTOGRAPHY: TRAIN WAY
I found these shots by Agelkos Photography on behance this morning. The bridge shot initially caught my attention. I always like it when photographers capture industrial infrastructure as a silhouette. The dark shapes against a light sky often emphasise the intricate detail in the various shapes, frame works, fences etc. I really like how in this image the bridge appears partly as a silhouette and partly reveals its texture and surface detail. In both of these shots the bleak, lifeless colour and atmosphere makes this scene feel slightly removed from reality. I think it's hard to imagine that once these were in a more colourful setting perhaps during more prosperous (or even sunny) times. Check out Agelkos Photography's full profile here.
Labels:
DARK,
INDUSTRIAL,
PHOTOGRAPHY,
URBAN
MATTHIAS HEIDERICH: COLOR BERLIN
Matthias Heiderich has put together a series of shots that explore colour in the urban landscape of Berlin. What I really like about this series is the simplicity of the work and the sense of nostalgia it induces. Most of the shots are quite minimal, with a strong focus on colour and composition. The simple solid colours exude a nice retro vibe, showing a few subtle signs of their age. Check out Matthias' website.
Labels:
COLOUR,
NOSTALGIA,
PHOTOGRAPHY,
URBAN
JÉRÔME LAUTRÉ: URBAINE POESIE
I thought I'd post these shots by Jérôme Lautré because I think they are amazing depictions of the urban world at night, and I found them reminiscent of images of what the future (now) would be like in 80s film. I was always amazed as a kid at what the future would hold and I've always been a little disappointed that today we don't have hover boards, robots and flying cars. The future was always romanticised with glowing lights, strange clothes and incredible flying technology. The reality is that we have conquered social/communication technologies instead, which seems a little less exciting but without it not even this blog would exist. I think the vision that these 80s artists gave us was merely what the 80s would have look like in the distant future, or perhaps an 80s revival in the distant future. Anyway to me these images are
closer to 80s futuristic references than anything else I've seen, and for that I think they are pretty cool. Check out Jérôme's website for more photographic gems.
Labels:
CITYSCAPE,
NIGHT,
PHOTOGRAPHY,
URBAN
SAM NEWHOUSE: KAMIKAZE MAGAZINE DESIGN
I've never heard of Kamikaze Magazine, but I've spent some time researching it today. I think it's a magazine about street/urban culture – if I was to judge it entirely by its cover I'd say it looks pretty good. Sam Newhouse has done an amazing job at designing a magazine cover that completely stands out from an ocean of magazine covers out there. I used to read Made Magazine which also utilised unorthodox cover design. I think in a world where art and design for the masses seem to be determined by trend it is important to create a point of difference in niche areas (I assume Kamikaze Magazine is a boutique/niche magazine). As a piece of art Sam has done well to create something edgy and fitting to the theme of the urban culture world. His minimal use of colour and subtle use layering and texture draw the viewer in to reveal more depth. The piece has an overall uncomfortable mood but makes me want to buy the magazine anyway.
Labels:
DESIGN,
ILLUSTRATION,
URBAN
DOMINIK KRUGER: MAN
These shots are part of an amazing series by Dominik Kruger. They instantly struck me as some sort of modernist manifestation due to the heavy lines and contrast, geometric shapes, and overall abstract appearance. I really like how a creative angle and great use of light and shadow has almost transformed this bridge into something new. Every shot in the series combines solid black shadows with subtle highlighted areas of textured concrete against a bleak cloudy sky. Very tasty work. I also highly recommend checking out his website.
Labels:
ABSTRACT,
PHOTOGRAPHY,
URBAN
RUBEN BRULAT: SIERAAD
I came across this shot today by Ruben Brulat and was reminded of how isolating and cold the city can be. To some extent it reminds me of the painting Night Hawks by Edward Hopper which depicts a lonely and cool urban setting. We construct these enormous concrete jungles, transportation networks and communication devices in the hope to make life more efficient, more safe and to bring each other closer, but are we actually pulling ourselves away from humanity, from our own humanity? At some point in the future will it be considered uncommon for people to have face-to-face contact with each other out of the home? Will we be more reliant on digitally based relationships than actual ones?
The depiction of the city here while being cold and lonely is also somewhat beautiful. Ruben has captured the unique lighting, geometric shapes and textures of the urban world, with only a few subtle hints of human existence – with the exception of the city forms themselves. When looking at this image my eye initially wonders down the dark road towards the light, before moving up to the buildings to search for signs of life in the windows then eventually down underneath the bridge into the shadows. The image is incredibly still, which I think contributes to the isolation and lifelessness. I feel inspired to take my camera out for a night walk.
Labels:
DARK,
PHOTOGRAPHY,
URBAN
FRIDAY: MOTH

These shots by Friday are a little similar to a series I wrote about in an earlier post. Similar in that they are mainly composed of shadow. I think Friday's shots are much darker, which I think has resulted in some intriguing photography. The viewer is only given a few hints of what they are looking at. The shadow leaves much to the imagination. According to the project information on his behance page one of his conceptual themes is silence, which I think has been captured perfectly.
Labels:
DARK,
NIGHT,
PHOTOGRAPHY,
URBAN
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